
Matter here becomes a playground.
Forms emerge from simple elements that multiply, cluster, and shift. They exist on the threshold between the familiar and the strange, control and accident, stillness and movement.
These contrasts - physical, sensory, conceptual - shape the experience. Textures collide and respond to one another. Volumes explore weightlessness.
The works deliberately resist immediate narration. Their rounded, almost flesh-like presence,introduces humor. Abstraction becomes an opening, a space for projection. A language between the visible and the invisible, the intimate and the shared.
Together, the pieces sketch a living landscape, while the installation transforms experimentation into an immersive encounter. Each movement of gaze and bodies reveals new interactions, hidden narratives.
The space invites encounter and play, where humor becomes inseparable from the aesthetic experience.
EDUCATION
2019>2021 : Ceramic art school, Maison de la céramique - Dieulefit (Fr)
2018>2019 : Ceramic art school, EMA/CNIFOP (Fr)
2010>2015 : Master’s Degree (M2) in Sociology, France/Canada
PRICE
2025: Faenza Prize under 35 - Faenza (It)
PUBLICATIONS
2024: "In the collection of Evelyne Heno", In Les Céramophiles 10 ans de collections
2025 : Revue de la Ceramique et du Verre, November/december
2026 : Léa Renard - Double Jeu, monography, Mic Faenza
RESIDENCIES
October/November 2025: Museo Internazionale delle Ceramiche (MIC) - Faenza, Italy
October 2024 : Wood firing (Anagama) - Puy-en-Velay (Fr)

Purple Gallery, 2024, © Limagerie Lansy Siessie
